Pixebag®

Best Image Format for Web: JPEG, PNG, WebP, AVIF

A real, measured comparison — not marketing numbers. We encoded the same 1920×1080 photo in every format ourselves and report the actual file sizes below.

Formats at a glance

What each format can actually do — vector or raster, transparency, lossless storage, animation, and whether it belongs in a print workflow.

Image format capability comparison
FormatTypeTransparencyLosslessAnimationPrint ready
JPGPhotosRASTER
PNGGraphicsRASTER
WebPModern webRASTER
AVIFSmallest filesRASTER
GIFShort loopsRASTER
SVGVector, webVECTOR
PDFDocumentsVECTOR
EPSLegacy printVECTOR
DXFCNC & laserVECTOR
ICOFaviconsRASTER
TIFFArchival printRASTER
BMPUncompressedRASTER
AIIllustrator sourceVECTOR
PSDPhotoshop sourceRASTER

“Partial” means conditional support: WebP and AVIF have both lossy and lossless modes, GIF transparency is limited to a single fully transparent colour, EPS transparency depends on the producing application, and PNG is conditional for print because it cannot carry CMYK.

Tools that convert these formats

What happens when you zoom in

The same curve, stored three different ways, magnified ten times. The difference only becomes visible at this scale — and in print, this is exactly the scale that matters.

VECTOR — SVG, PDF, EPS, AI, CDRThe curve is defined mathematically. However far you zoom, the edge stays sharp.
LOSSLESS RASTER — PNG, TIFF, BMPThe pixel grid becomes visible as stair-stepping, but every pixel's colour is intact.
LOSSY RASTER — JPGThe same stair-stepping, plus 8×8 block boundaries and colour bleeding around the edge.

The dashed red lines mark JPEG's 8×8 compression blocks. This is why logos, text and hard-edged graphics belong in PNG or SVG rather than JPEG — while in a photograph those blocks disappear into natural texture, which is why JPEG is still the right choice there.

Raster (pixel) formats

Built from a fixed grid of coloured pixels. Resolution dependent: enlarge one and the pixels themselves become visible. Right for photographs.

JPGJPEG .jpg, .jpegPhotographs, email attachments, maximum compatibilityDetails, history, pros and cons
Released
1992
Created by
Joint Photographic Experts Group (ISO/IEC)
Compression
Lossy
Colour depth
16.7 million colours (24-bit)
Transparency
No
Animation
No
Extension
.jpg, .jpeg
Best for
Photographs, email attachments, maximum compatibility

The default photograph format for more than thirty years. JPEG throws away detail the eye is least likely to notice, which is why a photo shrinks to a fraction of its original size — and why every save cycle degrades it a little more. It remains the safest choice whenever compatibility matters more than squeezing out the last few percent.

Advantages

  • ✓Opens everywhere — every browser, phone, printer and camera since 1992
  • ✓Very small files for photographic content
  • ✓Adjustable quality lets you trade size against fidelity

Disadvantages

  • ✕Lossy: every re-save degrades the image further
  • ✕No transparency at all
  • ✕Blocky 8×8 artefacts around sharp edges and text
  • ✕Poor for logos, screenshots and line art

Pixebag tool: Image Compressor

PNGPNG .pngLogos, screenshots, graphics with transparencyDetails, history, pros and cons
Released
1996
Created by
PNG Development Group (W3C)
Compression
Lossless
Colour depth
16.7 million colours + 8-bit alpha
Transparency
Yes
Animation
No
Extension
.png
Best for
Logos, screenshots, graphics with transparency

Created as a patent-free replacement for GIF, PNG became the default whenever an image must stay pixel-exact or carry a transparent background. It never loses a single pixel of data, so it is the right choice for screenshots, UI assets and anything containing text — but that same fidelity makes it a poor choice for photographs, where files balloon.

Advantages

  • ✓Completely lossless — re-saving never degrades it
  • ✓Full 8-bit alpha transparency, including soft edges
  • ✓Excellent for flat colour, text and sharp lines
  • ✓Universal browser and software support

Disadvantages

  • ✕Files are far larger than JPEG for photographs
  • ✕No animation (APNG exists but support is uneven)
  • ✕Cannot carry CMYK, so it is not a print delivery format

Pixebag tool: Format Converter

GIFGIF .gifShort looping animations, simple reaction clipsDetails, history, pros and cons
Released
1987
Created by
CompuServe (Steve Wilhite)
Compression
Lossless
Colour depth
256 colours per frame (8-bit palette)
Transparency
Partial
Animation
Yes
Extension
.gif
Best for
Short looping animations, simple reaction clips

Older than the web itself and technically obsolete, yet still everywhere because it plays automatically in any context that accepts an image. The 256-colour ceiling makes photographs look banded, and file sizes are enormous next to a modern video — but nothing else is quite as universally droppable into a chat window.

Advantages

  • ✓Plays automatically wherever an image is allowed
  • ✓Lossless within its 256-colour palette
  • ✓Supports simple one-bit transparency
  • ✓Supported by literally everything since 1987

Disadvantages

  • ✕Only 256 colours — photographs show visible banding
  • ✕Huge files compared with WebP or MP4 for the same clip
  • ✕Transparency is hard-edged only, no soft alpha
  • ✕No sound

Pixebag tool: GIF Maker

WEBPWebP .webpModern websites — the practical default todayDetails, history, pros and cons
Released
2010
Created by
Google
Compression
Lossy + lossless
Colour depth
16.7 million colours + alpha
Transparency
Yes
Animation
Yes
Extension
.webp
Best for
Modern websites — the practical default today

WebP does what JPEG, PNG and GIF each do separately, in one format: lossy or lossless compression, full alpha transparency, and animation. Files typically land 25–35% smaller than an equivalent JPEG. Browser support is now effectively universal, which makes it the sensible default for anything published on the web.

Advantages

  • ✓25–35% smaller than JPEG at comparable quality
  • ✓One format covers photos, graphics, transparency and animation
  • ✓Both lossy and lossless modes available
  • ✓Supported by every current browser

Disadvantages

  • ✕Older desktop software may refuse to open it
  • ✕Not accepted by print workflows
  • ✕Some social platforms still re-encode it to JPEG

Pixebag tool: Format Converter

AVIFAVIF .avifSqueezing the last bytes out of web imagesDetails, history, pros and cons
Released
2019
Created by
Alliance for Open Media
Compression
Lossy + lossless
Colour depth
Up to 12-bit HDR colour
Transparency
Yes
Animation
Yes
Extension
.avif
Best for
Squeezing the last bytes out of web images

Built from the AV1 video codec, AVIF compresses harder than anything else in common use — often half the size of a JPEG at the same perceived quality — and adds HDR and wide colour. The cost is encoding time and patchier support in non-browser software.

Advantages

  • ✓Smallest files of any widely supported format
  • ✓HDR and wide colour gamut support
  • ✓Full alpha transparency and animation
  • ✓Royalty-free and open

Disadvantages

  • ✕Encoding is noticeably slower than JPEG or WebP
  • ✕Support outside browsers is still incomplete
  • ✕Can smear very fine texture at aggressive settings

Pixebag tool: Format Converter

JXLJPEG XL .jxlArchival quality and lossless JPEG recompressionDetails, history, pros and cons
Released
2021
Created by
JPEG Committee (ISO/IEC)
Compression
Lossy + lossless
Colour depth
Up to 32-bit per channel
Transparency
Yes
Animation
Yes
Extension
.jxl
Best for
Archival quality and lossless JPEG recompression

JPEG XL's headline trick is recompressing an existing JPEG roughly 20% smaller with zero further quality loss, fully reversibly. Technically it is the strongest all-rounder here, but browser adoption stalled, so it currently lives mostly in archival and professional workflows.

Advantages

  • ✓Losslessly recompresses existing JPEGs ~20% smaller
  • ✓Excellent quality at both high and low bitrates
  • ✓Progressive decoding — image sharpens as it loads
  • ✓Very high bit depth for archival use

Disadvantages

  • ✕Browser support is limited and has moved backwards
  • ✕Few consumer tools can open it
  • ✕Rarely accepted by platforms or print shops
HEICHEIC / HEIF .heic, .heifiPhone photo storage — convert before sharingDetails, history, pros and cons
Released
2015
Created by
MPEG (adopted by Apple in 2017)
Compression
Lossy
Colour depth
10-bit colour, HDR capable
Transparency
Yes
Animation
Yes
Extension
.heic, .heif
Best for
iPhone photo storage — convert before sharing

Since iOS 11 this is what an iPhone saves by default: about half the size of a JPEG at the same quality, with support for depth maps and Live Photos. The catch is that much of the non-Apple world still cannot open it, which is why so many people meet HEIC only as a file that refuses to upload.

Advantages

  • ✓Roughly half the size of an equivalent JPEG
  • ✓10-bit colour and HDR support
  • ✓Stores depth data, bursts and Live Photos in one file
  • ✓Saves significant space on a phone

Disadvantages

  • ✕Windows, Android and many websites reject it without conversion
  • ✕Patent licensing complicates software support
  • ✕Editing tools outside Apple's ecosystem are limited

Pixebag tool: Format Converter

TIFFTIFF .tif, .tiffPrint production, scanning, long-term archivesDetails, history, pros and cons
Released
1986
Created by
Aldus (now Adobe)
Compression
Lossy + lossless
Colour depth
Up to 32-bit per channel, CMYK and spot colour
Transparency
Yes
Animation
No
Extension
.tif, .tiff
Best for
Print production, scanning, long-term archives

The workhorse of professional print and archiving. TIFF stores layers, multiple pages, CMYK and spot colours, and can be fully lossless, which is why museums, libraries and print shops standardised on it. The files are enormous and no browser will display one, but that is beside the point for its audience.

Advantages

  • ✓Truly lossless — the archival standard
  • ✓Carries CMYK and spot colours for real print work
  • ✓Supports layers and multiple pages in one file
  • ✓Very high bit depth for scanning and retouching

Disadvantages

  • ✕Very large files
  • ✕No browser displays TIFF
  • ✕So flexible that some variants will not open everywhere
BMPBMP .bmpLegacy Windows software and intermediate filesDetails, history, pros and cons
Released
1986
Created by
Microsoft / IBM
Compression
Uncompressed
Colour depth
Up to 32-bit
Transparency
Partial
Animation
No
Extension
.bmp
Best for
Legacy Windows software and intermediate files

Essentially a raw dump of pixels with a small header — no compression at all in its usual form. That makes it trivially simple for software to read and absurdly large on disk: an image that is 200 KB as a JPEG can be 6 MB as a BMP. It survives only in legacy Windows tooling.

Advantages

  • ✓Absolutely lossless — nothing is discarded
  • ✓Dead simple for software to read and write
  • ✓No decoding cost

Disadvantages

  • ✕Enormous files — often 20–30× a JPEG
  • ✕No compression in the common variant
  • ✕Effectively unsupported on the web
  • ✕No metadata, no colour profile
ICOICO .icoBrowser tab favicons and Windows application iconsDetails, history, pros and cons
Released
1985
Created by
Microsoft
Compression
Lossless
Colour depth
Multiple sizes in one file, 32-bit with alpha
Transparency
Yes
Animation
No
Extension
.ico
Best for
Browser tab favicons and Windows application icons

A container that holds the same icon at several sizes at once, so the operating system or browser can pick whichever it needs. Still the safest favicon format because very old browsers understand nothing else.

Advantages

  • ✓Holds 16, 32, 48 and 256 px versions in one file
  • ✓Full alpha transparency
  • ✓Understood by every browser ever made

Disadvantages

  • ✕Useless for anything except icons
  • ✕Limited to small dimensions in practice
  • ✕Awkward to create without a dedicated tool

Pixebag tool: SVG to Image

RAWRAW .cr2, .cr3, .nef, .arw, .dng, .orfProfessional photography — the digital negativeDetails, history, pros and cons
Released
2004
Created by
Camera manufacturers; DNG by Adobe
Compression
Lossless
Colour depth
12–16 bit per channel
Transparency
No
Animation
No
Extension
.cr2, .cr3, .nef, .arw, .dng, .orf
Best for
Professional photography — the digital negative

Not really one format but a family: every manufacturer writes its own (Canon CR3, Nikon NEF, Sony ARW), and Adobe's DNG is the open attempt to unify them. A RAW file is unprocessed sensor data — no white balance, no sharpening, no colour decisions baked in — which is exactly why photographers shoot it. Every editing choice stays reversible.

Advantages

  • ✓Maximum editing latitude — recover blown highlights and shadows
  • ✓White balance and colour remain fully adjustable afterwards
  • ✓12–16 bit depth instead of JPEG's 8
  • ✓Nothing is discarded by the camera

Disadvantages

  • ✕Very large — often 20–40 MB per frame
  • ✕Proprietary and camera-specific; older formats risk obsolescence
  • ✕Must be developed before anyone else can view it
  • ✕Not usable on the web or in documents
JP2JPEG 2000 .jp2, .j2kMedical imaging, cinema masters, digital archivesDetails, history, pros and cons
Released
2000
Created by
JPEG Committee (ISO/IEC)
Compression
Lossy + lossless
Colour depth
Up to 38-bit per channel
Transparency
Yes
Animation
No
Extension
.jp2, .j2k
Best for
Medical imaging, cinema masters, digital archives

Wavelet-based and technically superior to the original JPEG in almost every measurable way, yet it never displaced it on the web. It found a permanent home in medicine (DICOM), digital cinema and national archives, where lossless quality and region-of-interest decoding matter more than browser support.

Advantages

  • ✓No blocky artefacts — wavelets degrade gracefully
  • ✓Both lossless and lossy in one format
  • ✓Can decode just a region or a lower resolution from the same file

Disadvantages

  • ✕Almost no browser support
  • ✕Computationally heavy
  • ✕Rarely accepted outside its specialist niches

Vector formats

Built from mathematical curves and coordinates. Resolution independent: the same file is sharp on a business card and on a billboard. Right for logos, icons and type.

SVGSVG .svgLogos, icons, illustrations, charts on the webDetails, history, pros and cons
Released
2001
Created by
W3C
Compression
Lossless
Colour depth
Resolution independent — no pixels at all
Transparency
Yes
Animation
Yes
Extension
.svg
Best for
Logos, icons, illustrations, charts on the web

SVG is not an image in the usual sense: it is a text file describing shapes with coordinates and curves. Because there are no pixels, it stays perfectly sharp at any size — a logo scales from a favicon to a billboard from the same file. It is also readable by search engines and editable in a text editor.

Advantages

  • ✓Infinitely scalable with zero quality loss
  • ✓Tiny files for flat graphics and icons
  • ✓Animatable and styleable with CSS
  • ✓Text inside stays selectable and searchable

Disadvantages

  • ✕Cannot represent photographs
  • ✕Very complex illustrations can become slow to render
  • ✕Can carry scripts, so files from untrusted sources need sanitising

Pixebag tool: Image to SVG

PDFPDF .pdfDocuments, print delivery, anything that must look identical everywhereDetails, history, pros and cons
Released
1993
Created by
Adobe (ISO standard since 2008)
Compression
Lossy + lossless
Colour depth
Mixed vector and raster, CMYK capable
Transparency
Yes
Animation
No
Extension
.pdf
Best for
Documents, print delivery, anything that must look identical everywhere

PDF freezes a page — fonts, vectors, images, colour profiles — so it looks the same on every machine and printer. It is the universal handover format between designer and print shop, and the only one on this list that reliably carries multiple pages, embedded fonts and CMYK together.

Advantages

  • ✓Identical appearance on any device or printer
  • ✓Multiple pages, embedded fonts, CMYK and spot colours
  • ✓Mixes vector and raster freely
  • ✓The accepted print-delivery standard worldwide

Disadvantages

  • ✕Awkward to edit once produced
  • ✕File sizes grow quickly with embedded images
  • ✕Not an image format for web pages

Pixebag tool: JPG to PDF

EPSEPS .epsLegacy print workflows, older sign and embroidery shopsDetails, history, pros and cons
Released
1987
Created by
Adobe
Compression
Lossless
Colour depth
Vector with optional embedded raster, CMYK
Transparency
Partial
Animation
No
Extension
.eps
Best for
Legacy print workflows, older sign and embroidery shops

The vector exchange format that print shops used before PDF took over. It is officially legacy — Adobe no longer develops it — but it refuses to die because an enormous amount of equipment and an entire generation of print professionals still expect it. If a supplier asks for "vector", they often mean EPS or AI.

Advantages

  • ✓Understood by almost every professional print device
  • ✓Carries CMYK and spot colours
  • ✓Resolution independent

Disadvantages

  • ✕No longer developed — officially a legacy format
  • ✕Transparency support is unreliable across applications
  • ✕No browser can display it
  • ✕Large files for complex artwork

Pixebag tool: SVG to Image

AIAdobe Illustrator .aiThe master file for logos and brand artworkDetails, history, pros and cons
Released
1987
Created by
Adobe
Compression
Lossless
Colour depth
Vector, layered, CMYK and spot colour
Transparency
Yes
Animation
No
Extension
.ai
Best for
The master file for logos and brand artwork

The working file for professional vector design. Everything stays editable: layers, live type, effects, artboards. It is a source format, not a delivery format — you keep the AI file and hand out PDF, SVG or EPS. Losing it means rebuilding a logo from scratch.

Advantages

  • ✓Everything remains fully editable
  • ✓Layers, artboards and live type preserved
  • ✓Industry standard for logo and brand assets
  • ✓Exports cleanly to every other vector format

Disadvantages

  • ✕Requires Illustrator or a compatible editor to open
  • ✕Proprietary — no guaranteed long-term readability
  • ✕Never send it to a client as a final deliverable
CDRCorelDRAW .cdrSign making, textile printing, engraving and laser cuttingDetails, history, pros and cons
Released
1989
Created by
Corel Corporation
Compression
Lossless
Colour depth
Vector, layered, CMYK and spot colour
Transparency
Yes
Animation
No
Extension
.cdr
Best for
Sign making, textile printing, engraving and laser cutting

Illustrator's long-standing rival, and still dominant in specific trades — signage, textile and promotional printing, engraving, laser cutting — particularly across Eastern Europe, Turkey, India and Latin America. If a local print shop asks for "the Corel file", this is it. Cross-version compatibility is notoriously poor: a CDR saved in a newer release often will not open in an older one.

Advantages

  • ✓The de facto standard in sign, textile and engraving workshops
  • ✓Full CMYK and spot colour support for production
  • ✓Handles multi-page layout as well as illustration
  • ✓Strong tooling for cutting and plotting paths

Disadvantages

  • ✕Poor compatibility between CorelDRAW versions
  • ✕Almost nothing outside Corel opens it reliably
  • ✕Not readable on the web or by Adobe tools without conversion
  • ✕Windows-centric
DXFDXF .dxf, .dwgCNC machining, laser cutting, CAD interchangeDetails, history, pros and cons
Released
1982
Created by
Autodesk
Compression
Uncompressed
Colour depth
Pure geometry — lines, arcs, polylines
Transparency
No
Animation
No
Extension
.dxf, .dwg
Best for
CNC machining, laser cutting, CAD interchange

The interchange format of the CAD world. DXF carries pure geometry with real-world units, which is what a laser cutter, CNC router or plotter needs — it cuts along paths, so it cannot use a pixel image at all. Anyone sending work to a fabrication shop meets DXF sooner or later.

Advantages

  • ✓Understood by virtually every CAD and CAM program
  • ✓Carries true real-world dimensions
  • ✓The standard input for laser cutting and CNC

Disadvantages

  • ✕No colour fills, gradients or effects — geometry only
  • ✕Not a display format; nothing on the web renders it
  • ✕Many partially incompatible versions exist

Pixebag tool: SVG to DXF Converter

EMFEMF / WMF .emf, .wmfVector graphics inside Word, Excel and PowerPointDetails, history, pros and cons
Released
1993
Created by
Microsoft
Compression
Uncompressed
Colour depth
Vector drawing commands, optional raster
Transparency
Partial
Animation
No
Extension
.emf, .wmf
Best for
Vector graphics inside Word, Excel and PowerPoint

Windows' native vector format, and the reason a chart pasted into Word stays sharp when printed. Rarely chosen deliberately, but it is what Office produces and consumes internally, so it turns up whenever graphics move between Microsoft applications.

Advantages

  • ✓Stays sharp when scaled inside Office documents
  • ✓Native to Windows — no extra software needed
  • ✓Small files for simple diagrams

Disadvantages

  • ✕Effectively Windows only
  • ✕No browser support
  • ✕Renders inconsistently outside Microsoft software

Design source files

The editable working files of design applications. You archive these and export something else for delivery — never send one as the final asset.

PSDPhotoshop .psd, .psbThe editable master of any photo compositionDetails, history, pros and cons
Released
1990
Created by
Adobe
Compression
Lossless
Colour depth
Layered raster, up to 32-bit, CMYK
Transparency
Yes
Animation
No
Extension
.psd, .psb
Best for
The editable master of any photo composition

The working file for raster design: layers, masks, adjustment layers, smart objects and live type all stay editable. Like AI, it is a source format — you archive the PSD and export JPEG, PNG or TIFF for actual use. Flattening it is irreversible.

Advantages

  • ✓Layers, masks and adjustments remain fully editable
  • ✓Supports CMYK and high bit depth for print
  • ✓Industry standard, readable by many other editors

Disadvantages

  • ✕Very large files once layers accumulate
  • ✕Not viewable in a browser or on most phones
  • ✕Proprietary format
INDDInDesign .indd, .idmlBooks, magazines, brochures, multi-page layoutDetails, history, pros and cons
Released
1999
Created by
Adobe
Compression
Lossless
Colour depth
Page layout — links rather than embeds assets
Transparency
Yes
Animation
No
Extension
.indd, .idml
Best for
Books, magazines, brochures, multi-page layout

The layout application's working file. Unlike the others here, an INDD usually links to its images rather than embedding them, so sending one without its linked assets and fonts produces a broken document. Output goes to press-ready PDF.

Advantages

  • ✓Built for long multi-page documents
  • ✓Precise typography and master pages
  • ✓Produces press-ready PDF directly

Disadvantages

  • ✕Breaks if linked images or fonts are missing
  • ✕Requires InDesign; IDML is the only partial interchange route
  • ✕Poor backwards compatibility between versions
XCFGIMP .xcfThe open-source equivalent of a PSDDetails, history, pros and cons
Released
1995
Created by
The GIMP project
Compression
Lossless
Colour depth
Layered raster, up to 32-bit
Transparency
Yes
Animation
No
Extension
.xcf
Best for
The open-source equivalent of a PSD

GIMP's native working format — the free counterpart to PSD. It preserves layers, masks, paths and channels, and is fully open, so there is no licensing risk in archiving it. Support outside GIMP is limited.

Advantages

  • ✓Fully open format with no licensing concerns
  • ✓Preserves layers, masks, paths and channels
  • ✓Free tooling on every platform

Disadvantages

  • ✕Almost nothing except GIMP opens it
  • ✕No CMYK support in practice
  • ✕Not an exchange format
SKETCHSketch .sketchInterface design on macOSDetails, history, pros and cons
Released
2010
Created by
Bohemian Coding
Compression
Lossless
Colour depth
Vector UI design, macOS only
Transparency
Yes
Animation
No
Extension
.sketch
Best for
Interface design on macOS

The tool that defined modern interface design before Figma arrived, and still in use across many established design teams. It is macOS-only, which is precisely the constraint that opened the door for browser-based rivals.

Advantages

  • ✓Lightweight and fast for vector UI work
  • ✓Mature plugin and symbol ecosystem
  • ✓Files are a readable ZIP of JSON internally

Disadvantages

  • ✕macOS only — no Windows or Linux version
  • ✕Collaboration requires extra services
  • ✕Not a print format — no CMYK
FIGFigma .figInterface design and design systemsDetails, history, pros and cons
Released
2016
Created by
Figma
Compression
Lossless
Colour depth
Vector UI design, cloud-native
Transparency
Yes
Animation
No
Extension
.fig
Best for
Interface design and design systems

The current default for interface design. Figma files normally live in the cloud rather than on disk, and the .fig export exists mainly for backup or moving between accounts. Handoff to developers happens through the web interface, not the file.

Advantages

  • ✓Real-time collaboration in the browser
  • ✓Components and design-system tooling built in
  • ✓Platform independent — nothing to install

Disadvantages

  • ✕Effectively requires the Figma service
  • ✕Not a print format — no CMYK
  • ✕The .fig file is a backup, not an interchange format

RGB and CMYK — why colour differs on screen and in print

RGB

RGB

Additive mixing with light. A screen starts black and adds red, green and blue light; all three at full gives white. The web, phones and televisions are all RGB. JPG, PNG, WebP, AVIF and GIF carry RGB only.

CMYK

CMYK

Subtractive mixing with ink. Paper starts white and cyan, magenta, yellow and black ink absorb light to make colour. The CMYK gamut is narrower than RGB, so bright neons and vivid blues always dull down in print. TIFF, PDF, EPS, AI, CDR and PSD can carry CMYK.

Use the CMYK Converter to preview how a screen colour shifts once it is printed.

Measured comparison — the same photo, five formats

FormatCompressionTransparencyBrowser SupportFile Size (test photo)Best For
JPEGLossy onlyNo~100% (universal, since 1992)209.5 KBPhotos, maximum compatibility
PNGLossless onlyYes~100% (universal, since 1996)2831.6 KB (lossless — not a fair comparison against lossy formats)Screenshots, logos, graphics with transparency, anything that must be pixel-exact
WebPLossy or losslessYes~96.8% (all modern browsers)171.7 KBGeneral-purpose web images — the safe modern default
AVIFLossy or losslessYes~95.4% (all modern browsers)229.4 KBHigh-quality photos where support (~95%) is acceptable
JPEG XL (experimental)Lossy or losslessYes~14.6% (mostly Safari — not safe for general web use yet)162.9 KBArchival/personal use in Safari today; not for publishing to a general audience yet

Methodology: all sizes below are from encoding the same real 1920×1080 photograph with the same underlying WebAssembly codecs this site's own tools use, at quality 75 (where a quality setting applies). PNG is lossless by design, so its size isn't a fair apples-to-apples comparison against the lossy formats — it's listed for reference. Browser support percentages are global usage share from caniuse.com.

JPEG

The default photo format for 30+ years, and still the safest choice when compatibility matters more than squeezing out the last few percent of file size. Every browser, phone, camera, and image editor ever made can open a JPEG.

  • ✓Opens absolutely everywhere
  • ✓Fast to encode and decode
  • ✓Small enough for most everyday use
  • ✕No transparency support
  • ✕Lossy only — no lossless mode
  • ✕Larger than WebP/AVIF/JPEG XL at equivalent visual quality

PNG

PNG doesn't compete with JPEG on photo file size — it isn't meant to. It's the right choice whenever you need a transparent background or an exact, lossless copy of flat-color graphics, screenshots, or UI art, where JPEG's compression artifacts would actually be visible.

  • ✓Lossless — pixel-perfect
  • ✓Transparency support
  • ✓Ideal for screenshots, logos, line art
  • ✕Much larger than lossy formats for photos
  • ✕No native animation (that's GIF/APNG/WebP)

WebP

WebP has been safe to use in production for years now — support is essentially universal across modern browsers. In our own measurement it produced the smallest file of any format except JPEG XL, while supporting transparency and animation JPEG can't do. For most websites replacing JPEG/PNG today, WebP is the practical default.

  • ✓~97% browser support — safe to ship today
  • ✓Both lossy and lossless modes
  • ✓Transparency and animation support
  • ✓Smaller than JPEG at equivalent quality
  • ✕Slightly less efficient than AVIF/JPEG XL in some cases
  • ✕Older image-editing software may not support it

AVIF

AVIF is often marketed as the best-compressing format available, and it can be at higher effort/quality settings. In our own real test at the default encoder settings this site's tools use, it actually came out larger than WebP for this particular photo — a reminder that "best format" depends on the image and encoder settings, not just the format name. Browser support (~95%) is strong but very slightly behind WebP.

  • ✓Excellent compression at higher effort settings
  • ✓Transparency and HDR support
  • ✓~95% browser support
  • ✕Slower to encode than WebP/JPEG
  • ✕Real-world size depends heavily on encoder settings — not automatically smaller than WebP

JPEG XL (JXL)

JPEG XL produced the smallest file in our real test — but with only ~15% browser support, mostly Safari, a .jxl file is unopenable for the large majority of visitors today. We built an experimental converter for people who specifically want to test it (e.g. for Safari-only workflows or archival use), with clear warnings and a safety limit — see our JPEG XL Converter — but we don't recommend it for publishing images to a general audience yet.

  • ✓Smallest file size in our real test, even beating AVIF and WebP
  • ✓Both lossy and lossless modes
  • ✓Can losslessly re-encode existing JPEGs smaller
  • ✕~15% browser support — mostly Safari
  • ✕The WebAssembly encoder we tested is unstable above ~18 megapixels
  • ✕Not yet safe to use for images you're sharing publicly

Frequently Asked Questions

AVIF vs WebP — which should I use in 2026?

Both have excellent, comparable browser support (~95-97%). In our own measurement, WebP actually produced a smaller file than AVIF for the same photo at default settings — AVIF can compress better than WebP, but only with more aggressive (slower) encoder settings, so the real-world answer depends on your encoder, not just the format name. WebP is the safer default; AVIF is worth trying if you control your encoding pipeline and can afford to tune it.

Is PNG obsolete for photos?

For photos, yes — PNG's lossless compression produces files many times larger than JPEG/WebP/AVIF at equivalent visual quality (2831.6 KB vs 162-229 KB in our test of the same photo). PNG is still the right choice for screenshots, logos, and anything needing transparency or pixel-exact output.

What is JPEG XL and is it ready to use?

JPEG XL (.jxl) is a newer format that compressed smallest in our own real test. It's not ready for publishing to a general audience — only about 15% of browsers (mostly Safari) can open it today. It's realistic today only for personal/archival use or Safari-specific workflows.

What's the best image format for the web right now?

WebP, for most sites: ~97% browser support and smaller files than JPEG, with transparency support JPEG lacks. JPEG remains the safest choice if you need literally universal compatibility (very old devices/software). AVIF is a reasonable alternative if you can tune your encoder. JPEG XL isn't ready for general publishing yet.

How was this comparison actually measured?

We encoded the same real 1920×1080 photograph through each format's actual WebAssembly encoder — the same code our own Image Format Converter and JPEG XL Converter tools use — at quality 75 where applicable, and recorded the real output file sizes. These aren't marketing figures.

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